Category Archives: Pop

1997+20: Foyer

My excursion into cheesy, middle of the road, smooth jazz yacht was purely amusement, with no commercial purpose. The contemporary classical composer was thus along for the ride, speaking up now and then, casting a certain late century, “Saturn return” mannerist harmonic shadow. My R&B and pop influences are reflected in the palette of sounds, as is my own early history of parody as style. Despite the presence of a verse-chorus song structure, there are techniques similar to those I’ve used in my abstract pieces: in particular, harmonic variations on a limited set of repeated riffs. The bridge and outro feature a static funk groove, one which focuses on and extends one of the riffs. The phrase was probably grafted from Stevie Wonder’s song “I Can’t Help It” as sung by Michael Jackson (“running often through my mind”). The technology especially gives the whole thing a “your call is important to us” quality. Yet rather than programming in all the tracks with perfect timing and key volumes, everything was recorded by playing it in, with minor touching up of the timecode and velocity settings.

Composed and recorded 1997
Korg 01/WFD

Music and composer’s notes copyright Bruce Russell 2017

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rundfunk

rundfunk (1994) is the extended instrumental of my song “run2Dfunk.” The music is based on a four-part canon loop played on two pianos, from which all the other parts are derived. The first section is in B Dorian with a time signature of 7/8, and the short second section, D major hexatonic and 5/8.

Like many of my pieces, this could almost be subtitled “after themes by Steve Reich,” recalling in particular Eight Lines and Music for a Large Ensemble. It is otherwise a direct response to the global popular music of my youth.

Composed and recorded 1994
Remixed 2007
Korg 01/WFD

Music and composer’s notes copyright Bruce Russell 2017

Best of 2016

Childish Gambino “Awaken, My Love!” (Glassnote)

Vicky Chow A O R T A (New Amsterdam)

King We Are King (King Creative)

Laura Mvula The Dreaming Room (Sony · RCA)

Holly Roadfeldt The Preludes Project (Ravello)

Solange A Seat at the Table (Saint · Columbia)

Esperanza Spalding Emily’s D+Evolution (Concord)

reissues · remasters · restorations · box sets

Wally Badarou Back to Scales To-Night (Barclay · Expansion)

The Emotions Blessed: The Emotions Anthology 1969-1985 (BBR)

Philip Glass The Complete Sony Recordings (Sony)

Bernard Herrmann Twisted Nerve (Stylotone)

John Williams Jurassic Park · The Lost World: Jurassic Park (La-La Land)

Various Artists Doing It in Lagos: Boogie, Pop & Disco in 1980s Nigeria (Soundway)

Various Artists Star Trek: 50th Anniversary Collection (La-La Land)

Best of 2015

Some great new discoveries and otherwise the usual company in abundance.

John Adams Absolute Jest · Grand Pianola Music San Francisco Symphony · Michael Tilson Thomas · John Adams (SFS Media)

Bang on a Can All Stars Field Recordings (Cantaloupe)

eighth blackbird Filament (Cedille)

Mahan Esfahani Time Present and Time Past (Archiv)

Morton Feldman · Erik Satie · John Cage Rothko Chapel [Gnossiennes, In a Landscape, etc.] Kim Kashkashian · Sarah Rothenberg · Steven Schick · Houston Chamber Choir · Robert Simpson (ECM)

Floating Points Elaenia (Luaka Bop/Pluto)

Kendrick Lamar To Pimp a Butterfly (Top Dawg · Aftermath · Interscope)

Steve Martland Band Martland (NMC)

Steve Reich Music for 18 Musicians Ensemble Signal · Third Coast Percussion · Brad Lubman (Harmonia Mundi)

Max Richter Sleep (Deutsche Grammophon)

Linda Catlin Smith Thought and Desire Eve Egoyan (Earwitness Editions)

Stephen Sondheim Liaisons: Re-Imagining Sondheim from the Piano Anthony de Mare (ECM)

Ann Southam Glass Houses for Marimba Taktus (Centrediscs)

Tennyson Like What EP (self-released)

Kamasi Washington The Epic (Brainfeeder)

John Williams Star Wars: The Force Awakens Gustavo Dudamel · William Ross · John Williams (Walt Disney)

reissues · remasters

Bernard Herrmann Obsession Special Archival Edition (Music Box)

The Spinners Spinners (BBR)

John Williams A.I. Artificial Intelligence Expanded Archival Collection (La-La Land)

John Williams Jaws and Jaws 2 (Intrada)

John Williams, Herman Stein, Hans J. Salter, Joseph Mullendore, Alexander Courage, Cyril J. Mockridge, Gerald Fried, Leith Stevens, Robert Drasnin, Fred Steiner and others Lost in Space 50th Anniversary Soundtrack Collection (La-La Land)

Boogie Dedication

The Salsoul Orchestra ft. Loleatta Holloway | Seconds

Linda Williams | City Living

Stephanie Mills | You Can’t Run from My Love

Esther Williams | I’ll Be Your Pleasure

Odyssey | Inside Out

Pleasure | Nothin’ to It

Unlimited Touch | I Hear Music in the Streets

Kool & the Gang | Steppin’ Out

Prince | I Wanna Be Your Lover

Eighties Ladies | I Knew That Love

Logg | Dancing into the Stars

Change ft. Luther Vandross | The Glow of Love

Stevie Wonder | As if You Read My Mind

B O O G I E D E D I C A T I O N

79-82

To Nina with Love

beatmixing and harmonic mixing has been employed
without altering the tempo or pitch of the original tracks

Ibrahim El Mahboob
July 2015

Best of 2014

John Adams, The Gospel According to the Other Mary – Los Angeles Philharmonic, LA Master Chorale, Gustavo Dudamel

John Luther Adams, Become Ocean – Seattle Symphony, Ludovic Morlot

D’Angelo and The Vanguard, Black Messiah

Morton Feldman, String Quartet No. 1 – FLUX Quartet

Flying Lotus, You’re Dead!

Philip Glass, The Complete Piano Etudes – Maki Namekawa

Meredith Monk, Piano Songs – Ursula Oppens, Bruce Brubaker

Laura Mvula, With Metropole Orkest Conducted by Jules Buckley at Abbey Road Studios

Steve Reich, Radio Rewrite – Jonny Greenwood, Vicky Chow, Alarm Will Sound, Alan Pierson

Ann Southam, Glass Houses Vol. 2 – Christina Petrowska Quilico

tuku, moonday sessions:the black

reissues

Herbie Hancock, The Complete Columbia Album Collection 1972-1988 (rel. late 2013)

Odyssey, Happy Together (Expanded Edition)

Sly Stone & various artists, I’m Just Like You: Sly’s Stone Flower 1969-1970

Like It’s 1994/95: Uhuru

A recurring introspective retrospective of my music as it sounded twenty years earlier. In early 1994, I took my first trip to Europe, spending a week in Lyon where my music was heard at a university dance festival as well as in the subway for a pop up freestyle contemporary dance event. I spent the latter part of the year working on the indie cassette release Uhuru, which would come out the following spring, and playing keyboards and percussion in a post-punk band. In early 1995, another dance score was heard in London. In late 1995, I began graduate studies at York University, returning nine years after I had first arrived as an undergraduate.

Throughout this period, I continued to hold down a full time retail job selling classical and jazz CDs in Yorkville, as well as freelancing as a composer for dance and theatre. I also got my first taste of hosting college radio. It was my most active period being involved in music in general.

November 1994 rec. February 1995. 8 voices (2 per part), 8 track reel-to-reel. Begins with a row on the seven pitches of the diatonic scale. The pronunciation of uhuru was conflated with “yoo hoo” although I now prefer the proper initial “u” sound. This is life before autotune, for better or worse. Photo: handwritten score excerpt, 1995

Music and composer’s notes copyright Bruce A. Russell 2014