Good News

Absurdist techno funk. A version of this song appeared on my cassette album Eccentricities (1990). Days before making the recording I’d had my first encounter with a Roland TR-808 drum machine, and spent hours learning how to program it (considering this was before internet).

The time signature is 4/4 parallel with 12/8. To achieve this, I created a grid of 24 sixteenths, which was a bit of a slog considering the front panel of the 808 only has 16 buttons. The effect is not unlike the programmed rhythmic patterns in new jack swing, a genre which was popular at the time. The resulting beat here is quirky, however, with a march-like snare dominating towards the end. There is a Reichian finale with multiple pianos and voices in a phasing soup.

Eccentricities was a project done in my student years, though not a part of my sanctioned studies. I was leaving my  “no-perfectionism” period, wanting my music to be more precise. The vocal and pitched instrumental parts are in the Lydian dominant mode in E-flat, with bluesy colourations. The original vocal lines have been substantially edited out or shuffled here. I will note the lyrics had an environmentalist theme. With that in mind, the title is evermore sardonic.

Note : Extreme nerds may enjoy knowing that I sampled the orchestral stab used on this track from the opening of the John Williams score to “Close Encounters of the Third Kind.” The source recording was a cassette dub of a worn vinyl LP.

#quartercentury

Composed, recorded and mixed July 1990
Analog 8-track 1/2 inch reel-to-reel tape, mixed to DAT
Instrumentation: Roland TR-808 (programmed), Roland S-50 (played manually)
Re-edited December 2015

Music and composer’s notes copyright Bruce A. Russell 2015

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