Love and the Troubles

The five-part piano cycle Gimme Some Modes was composed from 2005 to 2009. Each piece uses a different seven-note, non-diatonic mode as a basis to explore ambiguous, scalar tonal schemes. The texture evolves by way of interleaved patterns of pitch rows, arpeggios, progressions of parallel chord shapes, note-on-note canons/chorales, and high and low pedals. The result is a set of meditations on harmony.


The fifth piece, “Love and the Troubles” (2009), begins with a mode spelled C-flat, D, E-flat, F, G-flat, A, B-flat (i.e. B-flat double harmonic major or E-flat double harmonic minor). After a seven-note row on this mode is woven into an extended chordal canon, a second mode is introduced with the substitution of one pitch. This mode is spelled C-flat, D, E-flat, F-sharp, G, A, B-flat (i.e. C-flat augmented with an added flat seventh degree).

The final passage modulates through several keys, always on the pitches of the mode but highlighting its tonal ambiguity. The row appearing just before the very loud chord at the three-quarter point of the piece spells out the chord, the mode, and the bass pedal tones of the ending: C-flat, D, E-flat, G, B-flat, A, F-sharp.

The score is dated 09 09 09.

Recorded February 2014, Roland digital piano direct to file

Music and composer’s notes copyright Bruce A. Russell 2014

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